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Larry Sparks
Bluegrass


Larry Sparks has said that he's the youngest old-timer around, and the self-description is an apt one. Emerging from the Stanley Brothers' Clinch Mountain Boys band, Sparks carried on with the sounds created by bluegrass music's first generation. His style was no knock-off, however; it had a distinctively bluesy tinge anchored by Sparks' own guitar; a comparatively unusual lead instrument in bluegrass, where the triad of mandolin, banjo, and fiddle had defined the musical texture since the genre's early days. Sparks grew up in Lebanon, OH, in the southwestern part of the state that has produced several other top bluegrass artists. His parents came from Appalachian Kentucky, and one of his grandfathers was a fiddle contest champion. Sparks heard Cincinnati country star Wayne Raney on the radio when he was young and learned to play the guitar. His skills put him in demand not only for bluegrass but also for country and rock bands while he was in high school, but after sitting in as lead guitarist with the Stanley Brothers as they toured Ohio in 1964, bluegrass took first place among his musical interests. Sparks played increasingly often with the Stanley Brothers and made his recording debut in 1965 on a small Dayton, OH label. He spent three years as lead vocalist with Ralph Stanley & the Clinch Mountain Boys after Carter Stanley's death at age 41 in December 1966. Around 1970, Sparks formed his own band, the Lonesome Ramblers, and it's a rare bluegrass festival or concert series that hasn't played host to Sparks multiple times in the years since. Numerous younger bluegrass players have passed through the Lonesome Ramblers or appeared on Sparks' many recordings, Ricky Skaggs and fiddler Stuart Duncan being only two of the best-known examples. Sparks recorded for various labels in the '70s and early '80s, moving to Rebel in 1982 for the Dark Hollow LP. It was the first in a long string of recordings that sold steadily and won critical acclaim; most of Sparks' Rebel catalogue remained in print in the early 2000s. Along the way, Sparks made several songs into bluegrass standards. He unearthed an obscure folk-rock composition by Lawrence Hammond entitled "John Deere Tractor" and turned it into a perennial anthem of discontented rural folk adrift in the big city; the cover of the song by the Judds on their Love Can Build a Bridge album of 1990 was likely traceable to Sparks' own numerous performances. The Stanley Brothers' "Goin' Up Home (To Live in Green Pastures)" was one of several gospel pieces that every parking-lot pickup band wanted to learn after hearing Sparks sing it, and Sparks tended to focus on gospel in his own numerous compositions as well. Sparks and the Lonesome Ramblers barely slowed down in the 1990s, releasing several albums over the course of the decade, and 2003's The Coldest Part of Winter showed him in undiminished form. ~ James Manheim, All Music Guide

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